Regarding space, time and performative acts:
The Sonder exhibition represents the synthesis of my pursuits to work more sculpturally and engage time and space in the work. I have embraced the idea of making these text portraits as performative acts. The process of writing a text in repetition over time is a metaphor for the ways that we accumulate information. A pivotal moment that prompted a deeper examination of this idea was during the process of creating my first large-scale drawing installation in 2011. After rendering the portrait with a hand-written text, I destroyed the drawing at the close of the exhibition in front of an audience. This experienced directed me toward making another large scale work that physically engaged an audience in the making/completion of a drawing.
Sonder became a work that not only engaged the audience, but transitioned people into being participants that become a part of the work. The large installation is composed of three layers of translucent textiles, suspended from the ceiling, several feet apart from one another. The transparency of the material allows the viewer to see through parts of the first panel, into the second, while the distance between them allows the viewer to traverse inside the installation. The installation is in a constant state of flux as people move about the space and in between the panels. It is also designed to iterate the very definition of the word sonderand its emphasis on noticing strangers.
***this blog was taken from kenturah's micro-site for sonder...moments of sonder